EMPIRE ARTISTS - LISTING, DETAILS AND BIOGRAPHIES

VIVA / V-SQUAD - BIOGRAPHY

THE VIVA PROJECT PROBABLY SAW MORE CHANGING PERSONNEL THROUGH ITS DOORS THAN ANY OTHER EMPIRE PROJECT. ORIGINALLY FORMED FROM A VARIETY OF OTHER GLASGOW BANDS [STRASSE-THE YOUNG ONES-ZONEHEIM] THE BAND WERE A STRONGLY COMPETENT GROUP WHOSE MUSIC REFLECTED THEIR TIMES AND THE FUTURE. THE EARLY RECORDINGS WERE MUCH MORE EXPERIMENTAL AND UNUSUAL, SEEKING TO BREAK THE ELECTRONICA POP FORMULA OF EARLY 80'S MUSIC [THIS CITY / WAITING FOR THE END]. AT THE TIME SUCH ELECTRONIC BASED SCOTTISH BANDS WERE ABOUT AS POPULAR AS HERPES.

UNDETERRED VIVA FUSED ELECTRONICA & PRINCE LIKE POP-FUNK TO DELIVER A SOPHISTICATED BLEND OF HOOKS, GIRL VOCALS AND SLICK IMAGERY THAT STOOD HEAD AND SHOULDERS ABOVE OTHER WANNA BE ACTS THAT FOLLOWED LATER. JANGLY POSTCARD GUITARS WERE THE LAST THING THEY WANTED TO BECOME. THE FIRST SINGLE [NEW LOVE] WAS AN EARLY PEAK OF HARMONIES AND JAPAN-ESQUE GROOVE THAT WAS CRITICALLY ACCLAIMED AND HAD THE MAJOR LABELS SNIFFING IN THEIR DIRECTION! DESPITE BEING THE BRAINCHILD OF EMPIRE MAINMAN JONN HARTON, ALL THE VIVA PERSONNEL WERE THE BEST AT WHAT THEY DID.

THE FIRST ALBUM [VIVA] WAS ESSENTIALLY A RERECORDING OF THE BEST SONGS AND DEMOS TO DATE REVEALING THEIR TRUE POTENTIAL - A SLICK FUSION OF DANCE BEAT FORERUNNERS AND GIRL VOCAL HARMONIES THAT SHOULD HAVE RESULTED IN THE MEGA-DEAL BUT DIDN'T! VIVA NEVER FULLY RECOVERED FROM THIS DISAPPOINTMENT AND, DESPITE CONTINUING TO DEVELOP AND PROGRESS, THE WRITING WAS ON THE WALL LONG BEFORE ANYONE IN THE BAND REALISED IT. 4 SINGLES AND 2 ALBUMS LATER IT WAS "GAME OVER"! THE BOAT WAS GONE [ALTHOUGH THE CORE OF VIVA RETURNED TO THE MUSICAL SUPERMARKET SOME YEARS LATER IN WHITE HEAT.]

LIKE EVERY GOOD UNDEAD MOVIE THE GHOST WOULD NOT STAY BURIED AND THE CADAVER SPAWNED V-SQUAD, USING THE VIVA TEMPLATE AND REPROCESSING IT FOR THE CHANGING MID-LATE 80's MUSICAL FREE MARKET ECONOMY.
ANTHRO [PRE-FETISH WORLD] HAVING ASSISTED IN VARIOUS GUISES IN THE RECORDING OF THE VIVA ALBUMS WANTED TO USE BOTH MATERIAL AND FORMAT FROM THE DEAD VIVA PROJECT, DRAFTED IN JACK BLADE'S SISTER AND KEYBOARDIST MARRIANNE X TO REVIVE THE PROJECT, TURNING IT INTO A MORE SOUL / HARMONY BASED ELECTRONIC PROJECT, DEVELOPING AND RESYNTHESISING THE CONCEPTS INTO A PUNCHY BLEND OF PSEUDO POP DANCE BEAT DIRECTION.

THE INITIAL RELEASE [V-SQUAD SEPT 1986] REVEALS THE EARLY HYBRID OF VIVA AND V-SQUAD AS AN ELECTRO-SOUL-FUNK-DANCE FUSION HERALDING THE SINGLES [ COW / DANCE ACTION AND A RECUT OF THE VIVA TRACK LET THE RAIN COME DOWN ]. GIGS AND THE USUAL RECORD COMPANY GRIND FOLLOWED. ALL MEMBERS WERE ALSO ACITVELY INVOLVED IN OTHER PROJECTS AND THE LOGICTICS OF THIS SLOWED THE PROGRESS AND OPPORTUNITIES OFFERED. BY THE LATE 80's THE PROJECT HAD REDUCED IN IMPORTANCE TO ALL MEMBERS ONLY REVIVED BY THE CHANCE TO RELEASE A NEW ALBUM UNDER THE EMPIRE LABEL IN THE EARLY 90's.

RECORDING NEW MATERIAL FOR "MOVE IT UP" ONCE AGAIN ACTIVATED V-SQUAD's HUNGER, BUT FATE WAS TO STEP IN ONCE MORE. DUE TO SOME RATHER TRAGIC PERSONAL CIRCUMSTANCES INVOLVING THE EXPANDED V-SQUAD LINE UP LED TO THE TOTAL DEMISE OF THE PROJECT RESULTING IN THE NON-RELEASE OF THE NEW ALBUM AND THE FINAL COFFIN NAIL IN THE VIVA / V-SQUAD STORY... SADLY THE MATERIAL NEVER SAW THE LIGHT OF DAY EXCEPT FOR SOME CD-R PERSONAL PROMOS WHICH REVEAL THEIR FINAL HOURS OF GREATNESS. ANOTHER LOST SHOT AT GREATNESS.

DISCOGRAPHY

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V I V A	NEW LOVE

 

THE FEAR - BIOGRAPHY

INSPIRED BY A LOVE OF BOWIE'S ZIGGY STARDUST ROCK AND RONSONISTIC GUITAR, THE ORIGINAL FEAR COMPOSED AND PLAYED FAST SIMPLE POP ROCK CROSSOVER MUSIC. ORIGINALLY NOTHING MORE THAN A BUNCH OF GUYS FROM OTHER BANDS PLAYING TOGETHER FOR FUN, THE FEAR GREW LIKE AN ORGANIC DISEASE, COMMANDING AND DEMANDING ITS OWN TINY FOOTNOTE IN ROCK'N'ROLL HISTORY.

BY THE TIME THE FEAR WERE PLAYING LIVE AND BEGINNING THE FIRST RECORDING SESSIONS THEY HAD ALREADY ADAPTED INTO A FUSION OF FUNK / ROCK THAT POWERED THE LATTER HALF OF [V1's] REPERTOIRE.

THE FIRST SINGLE [DAY BY DAY ON EMPIRE INC - THE FORERUNNER TO EMPIRE RECORDS] WAS A SLAB OF ELECTRIC ROCK THAT HERALDED THE 1989 ALBUM "ROCK'N'DROLL". FOLLOWING THIS A SECOND SINGLE [LOOKING FOR A MIRACLE / PASSION] SHOWED THE CHANGES GOING ON WITHIN THE BAND AND SOON THE INTERNAL BICKERING RESULTED IN THE SHATTERING OF THE FEAR V1 - GONE BEFORE THEY COULD GROW INTO THEIR TRUE POTENTIAL… LEAVING NOTHING MORE THAN A THIN SHADOW OF WHAT COULD HAVE BEEN.

BUT LIKE ALL MONSTERS - THEY RETURNED FOR A SEQUEL! THE FEAR [V2] WERE REBORN AS A TIGHTER, PUNCHING ROCK FUNK UNIT SPAWNED BY DRUMMER McSHARKEY'S URGE TO PRESS AHEAD WITH THEIR CLAIM TO THE ROCK'N'ROLL HALL OF FAME. DRAFTING EX V-SQUAD SINGER / GUITARIST ZANE AND RECRUITING 2 NEW MEMBERS [STUART ROBINSON-BASS / IAIN LOWE ON SECOND GUITAR] AND UTILISING JACK BLADE FOR OCCASIONAL KEYBOAURD DUTIES THE NEW FEAR WERE A TIGHTER, MORE POWERFUL COMBO WHOSE RECORDINGS REFLECTED THE MORE SOPHISTICATED MUSICAL POTENTIAL THAT V1 FAILED TO ACHIEVE.

THE FIRST SINGLE [PUNISH ME WITH KISSES / CRY FOR A STAR] WAS A DYNAMIC ROCK KICK THAT HERALDED THE 1992 ALBUM "HEAVEN AND MAINE". DESPITE DRAWING REASONABLE CRITICAL ACCLAIM THE NEW FEAR COULD STILL NOT ACHIEVE ITS AIMS AND BY 1994 THE LACK OF SUCCESS FINALLY SHATTERED THE NEW UNIT AND LED TO THE FINAL DEATH OF THE FEAR…LEAVING NOTHING MORE THAN A BUNCH OF UNRELEASED RECORDINGS STILL REMAINING AS UNMIXED MULTI-TRACK MASTER TAPES. ONLY ZANE CONTINUED PERSUING THE ROCK'N'ROLL DREAM LEAVING THE OTHER MEMBERS TO REJOIN MANSTREAM SOCIETY.

DISCOGRAPHY

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THE FEAR [MK 1]	LOOKING FOR A MIRACLE

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THE FEAR [MK 2]	U MADE ME BLUE

 

WHITE HEAT - BIOGRAPHY

WHITE HEAT [V1] CAME ABOUT THROUGH SHEER BOREDOM BETWEEN EX-VIVA MEMBERS JONN HARTON & JIM McKENNA, RECORDING SOME BASIC TRACKS AS THE RSAMD USING EMULATORS / EMAX / AND DIGITAL RECORDING FACILITIES. THE NAME COMING AFTER THE SONGS [WITH A SHORT MUTANT NOD TO TONY BENN's WHITE HEAT OF TECHNOLOGY AND LOU REED's JISSOM!]
OVER A YEAR AND A HALF THE BACKBONE FOR THE ALBUM "SNOWBLIND" WAS RECORDED, DEVELOPED FROM LEFTOVER VIVA / FEAR / POISONN MATERIAL AND ADDED TO BY NEW TECHNOLOGY INSPIRED MATERIAL. ONLY SEEING RELEASE AS A PROMO "SNOWBLIND" APPEARED TO BE A MUTATED SCOTTISH PET SHOP BOYS ELECTRO-POP HYBRID WITH EDGE. CONSTANTLY CONFLICTED THE WHITE HEAT PROJECT WAS NEVER SMOOTH OR EASY DESPITE ITS LUSH POTENTIAL. BY 1991 THE LIMITATIONS OF A 2 MAN PROJECT HERALDED ITS DEMISE..BUT IT WAS A WAKE UP CALL TO ALL CONCERNED, THIS WAS ONE WHICH WASN'T GOING TO LIE DOWN!
HARTON & McKENNA SET ABOUT RECRUITING NEW PERSONNEL AND ORIENTATION. BY LATE 1991 THE NEW WHITE HEAT [V2] WAS TOGETHER AND FINDING ITS OWN IDENTITY. EX-VIVA MAN TOM SCOTT RETURNED FROM ENGLISH EXILE, NEW GIRLS SINGERS JANE, LOUISE AND MICHELLE [PAIN CREW] COMPLETED BY JOHN MILLER ON DAVID SANBOURNE SAX COMPLETED THE LINE UP AND IT WAS ALL SYSTEMS GO!

WORK FOR THE "BANGKOK CRASH" ALBUM RAN LIKE A ROCKET AND WAS READY FOR RELEASE BY 1992 - FOR ONCE IT SEEMED THAT THE CURSE OF VIVA WOULD BE FINALLY LAID TO REST! TESTING THE WATER WITH "PLEASE BE STRONG / RESCUE ME" THE RESPONSE WAS ENCOURAGING BUT NO MORE THAN THAT. EMPIRE BEGAN TO WORRY ABOUT THE FATE OF THE ALBUM WITHOUT SOME STRONGER CRITICAL SUPPORT. NETWORKING AND HUSTLING FOR HIS OWN PER PROJECT, EMPIRE MAINMAN JONN HARTON WORKED TO MAKE THIS WORK - RISKING A SUBSTANTIAL AMOUNT OF CASH TO SEE "BANGKOK CRASH" RELEASED.

LUCKILY ITS TARGET AUDIENCE, EUROPE, ATE IT UP AND ALL PRESSINGS SOLD OUT…BUT IN THE UK LEPERS USED IT TO DENOTE THEIR PARIAH LIKE STATUS INSTEAD OF YELLING "UNCLEAN" - IT DIED QUIETLY AND WITHOUT FANFARE. BUT SINCE IT WAS NOT MEANT TO SEDUCE THE BRITISH, NO-ONE LOST TOO MUCH SLEEP...AT FIRST!

BY 1993 WHITE HEAT FOCUSED ALL THEIR ATTENTION ON EUROPE, PLAYING AN DPROMOTING THEMSELVES TIRELESSLY BUT INTERNAL PRESSURE AND PERSONAL PRIORITIES LED TO BODIES DRIFTING AWAY. FIRST TO JUMP SHIP WAS JIM McKENNA, KEEN TO MAXIMISE HIS OWN MATERIAL AND SET UP HIS OWN MUSICAL COMBO [JIM McKENNA WENT ONTO HEAD A VARIETY OF SYNTH BASED PROJECTS AND IS CURRENTLY TO BE FOUND DOING DJ SETS THROUGHOUT SCOTLAND]. SAX PLAYER JOHN MILLER CONTINUED AND COMPLETED HIS MUSICAL DEGREE AT THE RSAMD - GOING ONTO OTHER PROJECTS SIMILARLY TO JANE AND LOUISE.

THUS IT WAS A MUCH TRIMMED DOWN WHITE HEAT THAT RE-ENTERED THE STUDIO TO RECORD THE FOLLOW UP TO "BANGKOK CRASH" [WORKING TITLE NU AMERIKA] BUT ONCE AGAIN FATE SNICKERED AND DEALT A FINAL FATAL BLOW…THE COLLAPSE OF A VARIETY OF PERSONAL RELATIONSHIPS AND FINANCIAL PROBLEMS LED TO THE COLLAPSE OF THE EMPIRE LABEL WHICH, IN TURN, CLOSED DOWN THE OPERATIONS OF WHITE HEAT LEAVING 10 UNFINISHED TRACKS IN THE CAN - NEVER TO SEE THE LIGHT OF DAY. PROJECT TERMINATED

DISCOGRAPHY

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WHITE HEAT [MK 1]	THE COMPANY OF WOMEN

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WHITE HEAT [MK 2]	RESCUE ME [ALT MIX]

 

THE PAIN CREW - BIOGRAPHY

IT WAS ANTHRO WHO INITIALLY BROUGHT THE PAIN CREW MAINMAN JEAN PAUL PIERCE TO THE ATTENTION OF EMPIRE, BOTH MEN WORKED IN THE FETISH INDUSTRY [WHICH AT THAT TIME WAS STILL VERY MUCH UNDERGROUND - UNLIKE TODAY WHEN IT'S NICE AND SAFELY SANITISED FOR ALL THE PLEBS WHO CAN REPROCESS IT AS A MARKETING TOOL AND SENSATIONALISTIC SKY FODDER!] AND WANTED TO SET UP AN S&M BASED PROJECT TO PLAY THE FETISH CLUBS IN EUROPE. PIERCE QUICKLY SECURED 2 AMAZONS [ALANNA PASCALE & MICHELLE DEBECK] AND RECORDED A MASS OF BACKING TRACKS ASSISTED BY A VARIETY OF EMPIRE MUSICIANS [ANTHRO / SCOTT / McKENNA / HARTON / ELLE] AND PRODUCED A BIZARRE SLAB OF S&M ELECTRO POP GEARED TO THE FETISH CLUBS OF EUROPE, SPENDING AS MUCH TIME ON THE VISUALS AS ON THE MUSIC ITSELF.

THE PAIN CREW GIGS WERE TRULY UNIQUE, THE FORERUNNERS OF GENITORTURERS AND A HOST OF SECOND DIVISION / THRID GENERATION FETISHISTS, SO MUCH SO THAT THE VIDEOS SOLD AS WELL AS THE ALBUM "CONTROLLED" [MATERIAL FROM WHICH EVENTUALLY WENT TO OTHER EMPIRE ARTISTS AND IS CURRENTLY BEING BASTARDISED BY JOHNNY ALPHA].
NEVER INTENDED TO BE GRAMMY NOMINATED THE PAIN CREW ACHIEVED ITS AIMS AND EVERY TIME MAINSTREAM OPPORTUNITY CAME KNOCKING THEY SIMPLY SAID "NO!".
AS THE WORLD CHANGED THE PAIN CREW SAW THE WRITING ON THE WALL AND SLOWLY PREPARED TO ACCEPT THAT THEIR ELITIST STAND WAS QUICKLY BECOMING PUBLIC DOMAIN - THEY STARTED TO ADAPT. AT THIS POINT ELLE WAS PLAYING AS MUCH WITH THE PAIN CREW AS PROMOTING HER OWN WORK, SHE AND PIERCE WERE NOW MARRIED AND LIVING IN DOMESTIC RAPTURE - FOR A WHILE!
A VARIETY OF PRESSURES LED TO AN ACRIMONIOUS PARTING AND EVENTUALLY DIVORCE THE AFTERSHOCK OF WHICH LED TO THE END OF THE PAIN CREW PROJECT - PIERCE HATED THE HOST OF PRETENDERS CLIMBING ABOARD THE S&M BANDWAGON AND SIMPLY WOKE UP ONE DAY AND STOPPED IT ALL.. THE WHEREABOUTS OF PIERCE, ELLE, AND ALANNA IS CURRENTLY UNKNOWN.
FROM PIONEER TO "WHO?" IN A FEW YEARS, THE PAIN CREW LED THE WAY FOR THE WATERED DOWN FETISHISTIC CRAP INFECTING THE CLUBS OF EUROPE AND THE US - BUT ISN'T IT NICE THAT IT'S SO SWEETLY SAFE FOR THE MASSES : YOU SHOULD HAVE BEEN THERE WHEN IT WAS REAL!

DISCOGRAPHY

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THE PAIN CREW	NO PAIN [EXTENDED]

 

A N T H R O - BIOGRAPHY

AN EX-MUSICIAN WHO BECAME A FETISH WRITER / ARTIST / PHOTOGRAPHER WAS THE UNLIKELY BEGINNING OF THE ANTHRO PROJECT. CLOSE FRIENDS WITH JEAN PAUL PIERCE OF THE PAIN CREW, ANTHRO ASSISTED IN ALL PAIN CREW RECORDINGS AND UNCREDITED WRITING OF SOME OF THE MATERIAL.
THE SINGLE "U MADE ME CRY" WAS BORN FROM THE DEMO HE HAD MADE FOR ELLE AS A PROJECTED SINGLE [ABANDONED AS HER CAREER FALTERED] WHICH, WHEN EMPIRE MAINMAN JH HEARD IT, SIMPLY DEMANDED RELEASE. A COOL SLICE OF MELANCHOLY POP, THE SINGLE WAS A FORERUNNER OF A PROJECTED ALBUM WHICH NEVER MANIFESTED FROM THE DRAWING BOARD.
HEAVILY INVOLVED WITH HIS OTHER FETISH WORK [ EVENTUALLY BEING NOMINATED AS EROTIC WRITER OF THE YEAR 1996 ] AND ASSISTING THE PAIN CREW, ANTHRO SIMPLY RAN OUT OF TIME. THE B SIDE OF THE "CRY" SINGLE WAS A WHITE HEAT SONG CALLED THE COMPANY OF WOMEN AND WAS ANOTHER COMPACT SLICE OF COOL POP. ONE FURTHER VISIT TO THE STUDIO TO RECORD HIS OWN MATERIAL LED TO A PROMO SINGLE [ SOMEONE SHOULD KNOW ] THAT GENERATED SOME MAJOR RECORD COMPANY INTEREST BUT ANTHRO WAS COMMITTED TO PERSUING HIS LOVE - FETISHISM. THUS, FOR ONCE, IT WAS DOWN TO THE ARTIST TO REJECT THE CALL OF SUCCESS RATHER THAN THE OTHER WAY ABOUT.
ANTHRO CONTINUED HIS WORK QUITE SUCCESSFULLY UNTIL THE LATE 1990's WHEN PERSONAL TRAGEDY CAUSED HIM TO STOP ALL WORK AND DISAPPEAR FOR SOME 5 YEARS IN THE WILDERNESS. CURRENTLY ANTHRO IS PRODUCING A NEW ART BOOK, A RANGE OF FETISH CARDS, 2 NEW EROTIC NOVELS AND SETTING UP A NEW COMPANY TO PROMOTE THE ANTHRO RANGE. JOHNNY ALPHA SUGGESTS THEY WILL BE WORKING ON SOME UN-NAMED PROJECT BY THE END OF THE YEAR.

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ANTHRO	U MADE ME CRY [SINGLE MIX]

 

THE MEGA-BABES - BIOGRAPHY

ISPIRED BY THE LA LESBIAN LIPSTICK COMBO FEM 2 FEM, THE MEGA-BABES BEGAN AS A SEXED OUT MUSICAL POP PROJECT DESIGNED TO BE AS VISUALLY STIMULATING AS IT WAS AUDIO SEDUCTIVE. THE ORIGINAL INCARNATION OF JANICE, KAREN AND LUCY FOUND THAT THE ORIENTATION OF THE PROJECT WAS NOT UNIFORMILY AGREED RESULTING IN THE FORMATION OF ANOTHER GROUP ENTIRELY RETAINING ONLY LUCY. PRE-DATING THE SPICE GIRLS, EMPIRE COULD SEE THAT THIS MAINSTREAM AIMED PROJECT COULD BE THE MONEY SPINNER WHICH WOULD FUND THE MORE ARTISTIC EMPIRE PROJECTS AND IT WAS PERSUED AGGRESSIVELY - THIS WAS ONE PROJECT WHERE IT THE PERSONNEL WEREN'T TOTALLY BEHIND THE CONCEPT THEY COULD COLLECT THEIR P45 AT THE DOOR!

BY THE TIME THE ORIGINAL INCARNATION DIED THE POP WORLD WAS GEARING ITSELF TO THE EXACT MOLD EMPIRE WERE DESIGNING [THE TRAGIC SPICE GIRLS WERE TO PROVE THIS TO BE TRUE ] SO SOME MODIFICATION WAS REQUIRED.
EMPIRE DECIDED THAT RE-ORIENTATING THE CONCEPT TO THE TEENY / PRE PUBESCENT MARKET WOULD BE A GOOD IDEA AND SO TARGETTED 2 TEEN MODELS TO RECRUIT LAUREN & LOUISE AND STILL KEEPING THE 19 YEAR OLD LUCY.

WITH THIS IN PLACE, MATERIAL WAS RECUT AND REPROCESSED SWIFTLY GETTING INTO THE STUDIO TO RECORD 3 TRACKS [ DEEPER INSIDE / U CAN DO IT - AN ELLE SONG - AND THE PAIN CREW's "SHES ETERNAL"]. A PROMO SINGLE WAS CUT AND GARNERED A VERY POSITIVE RESPONSE. THE MECHANICS OF THE RECORD INDUSTRY TAKES SO LONG THAT MORE STUDIO WORK WAS DONE BEFORE SOME OF THE MAJOR RECORDING COMPANIES HAD COGITATED ON FRANCHISING THE EMPIRE ARTISTS. IN THEIR INFINITE WISDOM A VARIETY OF NAMELESS RECORD EXECS SUGGESTED IT WAS THE DEMOGRAPHIC MARKET TO HIT - THEY PASSED ON THE PROJECT! WITH MONEY RUNNING OUT IN EMPIRE THIS WAS A FATAL BLOW AND ITS IMPACT AFFECTED ALL THE EMPIRE ARTISTS ROSTER.

2 YEARS LATER THESE SAME RETARDS WERE RUNNING ABOUT LOOKING FOR SECOND RATE SPICE GIRLS WHEREVER THEY COULD FIND THEM AND, TO SOME EXTENT, ARE STILL FOLLOWING THE SAME CONCEPT TODAY[BOY BANDS / GIRLS BANDS / POP IDOLS… ] .
AND SO A VALUABLE LESSON HAS BEEN LEARNED - SOMETIMES IT'S BETTER TO BE THE SECOND PERSON TO INVENT SOMETHING BECAUSE THAT'S WHERE THE MONEY IS!

THE VERSAILLES TWINS - BIOGRAPHY

DARK SUITS, GLASSES AND ATTITUDE - BUT COULD THEY SING? WHO CARES, IF THE CONCEPT IS RIGHT! STRIPPED DOWN SAMPLE BASED BACKING AND TALKING VOICE OVER RAP WERE THE VERSAILLES TWINS.

A STUDIO NIGHTMARE BUT IT LOOKED AND SOUNDED GREAT. ROBERT & MICHAEL BUCHANAN LOOKED LIKE EX CIA HEAVIES AND WOULD HAVE BEEN 2 OF THE MOST UNLIKELY POP STARS SINCE "RIGHT SAID FRED".

RECORDING THE FIRST PROJECTED SINGLE "HAVE U GOT THE WILL" [RECUT RECENTLY BY JOHNNY ALPHA] / SHAKE IT THESE GUYS GOT ON BOARD JUST IN TIME TO WATCH THE MELTDOWN OF EMPIRE RECORDS. SADLY THEY WERE THE RIGHT THING AT THE WRONG TIME! THEY DIED BEFORE THEY COULD LIVE.

DISCOGRAPHY

 

ELLE - BIOGRAPHY
BORN – PARIS 1968.
RAISED IN LONDON.

EMPIRE 1

EMPIRE 2